How to Copy a Row in Excel VBA

Using VBA to program Excel isnt as popular as it once was. However, there are still plenty of programmers who prefer it when working with Excel. If you are one of those people, this article is for you.​ Copying a row in Excel VBA is the kind of thing that Excel VBA is really useful for. For example, you may want to have one file of all your receipts with date, account, category, provider, product/service, and cost entered one line at a time, as they occur—an instance of evolving accounting rather than static accounting. To do this, you need to be able to copy a row from one worksheet to another. A sample Excel VBA program that copies a row from one worksheet to another—using only three columns for simplicity—contains: An alpha column for textA numeric column - an automatic sum is created on the target worksheetA date column - the current date and time is filled in automatically Considerations for Writing Excel VBA Code To trigger an event that copies the row, go with the standard—a Button form control. In Excel, click Insert on the Developer tab. Then, select the Button form control and draw the button where you want it. Excel automatically displays a dialog to give you a chance to select a macro triggered by the click event of the button  or to create a new one. There are several ways to find the last row in the target worksheet so the program can copy a row at the bottom. This example chooses to maintain the number of the last row in the worksheet. To maintain the number of the last row, you have to store that number somewhere. This might be a problem because the user might change or delete the number. To get around this, place it in the cell directly underneath the form button. That way, its inaccessible to the user. (The easiest thing to do is enter a value in the cell and then move the button over it.) Code to Copy a Row Using Excel VBA Sub Add_The_Line() Dim currentRow As Integer Sheets(Sheet1).Select currentRow Range(C2).Value Rows(7).Select Selection.Copy Sheets(Sheet2).Select Rows(currentRow).Select ActiveSheet.Paste Dim theDate As Date theDate Now() Cells(currentRow, 4).Value CStr(theDate) Cells(currentRow 1, 3).Activate Dim rTotalCell As Range Set rTotalCell _ Sheets(Sheet2).Cells(Rows.Count, C).End(xlUp).Offset(1, 0) rTotalCell WorksheetFunction.Sum _ (Range(C7, rTotalCell.Offset(-1, 0))) Sheets(Sheet1).Range(C2).Value currentRow 1 End Sub This code uses xlUp, a magic number, or more technically an enumerated constant, which is recognized by the End method. Offset(1,0) simply  moves up one row in the same column, so the net effect is to select the last cell in column C. In words, the statement says: Go to the last cell in column C (equivalent to EndDown Arrow).Then, go back up to the last unused cell (equivalent to the EndUp Arrow).Then, go up one more cell. The last statement updates the location of the last row. VBA is probably harder than VB.NET because you have to know both VB and Excel VBA objects. Using xlUP is a good example of the kind of specialized knowledge that is critical to being able to write VBA macros without looking up three different things for every statement you code. Microsoft has made great progress in upgrading the Visual Studio editor to help you figure out the correct syntax, but the VBA editor hasnt changed much.

The Yoruba vs Christianity Essay - 805 Words

There are many religions throughout the world today. Although there are several different religions, many individuals are not educated about the other beliefs besides there own. Religions today do have differences but are also very much the same. This is demonstrated between the religion of Yoruba, and Christianity. The Gods that the people in these religions worship are different but have the same purpose throughout the lives of each individual. Each individual’s purpose and goal in these religions also display similarities. Furthermore the rituals that are done throughout these religions are done for directions and to improve the relationship between the individual and their god. There are various differences and similarities between†¦show more content†¦Christians also believe that they should pray for the evil deeds of humans and for the devil to be decreased in the Earth. In the Yoruba religion perverted humans populate the Earth. Christians believe that humans h ave been overcome by sin and that humans are not living the life that god has planned for them. The people of the Yoruba religion desire to have a good reputation and live a long life. Once these people have passed it is believed that with this good reputation they will gain a supernatural statues and become an ancestor, be worshiped by family members and live in heaven. Christians also have a goal to reach to heaven, this is done by living a life of compassion and without sin. Although Christians desire to go to heaven, they do not desire to be worshiped. These religions both have a goal to do well while on earth and then live an eternity in bliss. The rituals that these religions perform are different but are all done to reach closeness or get direction from their god or gods. One of the Yoruba’s religions rituals is divination. A diviner does this ritual and is a priest that must be trained for years. Divination is a process where the future of and individual is revealed. Throughout the other rituals that are preformed in this religion a priest must be there to oversee the ritual. During rituals in the religion of Christianity priest are alsoShow MoreRelatedWole Soyinka: Death and the Kings Horseman1695 Words   |  7 Pagesplaced in terms of two extremes, and the cultures must be considered one of those pairs. Suicide is no exception to this examination; it must be seen in the conflicting lights that Soyinka gives us: British vs. Yoruban, physical vs. metaphysical, personal vs. social; and an expression of failure vs. a form of redemption. In examining how the play divides suicide so completely through these lenses, we can better understand the actions of Elesin and Olunde.brbrIn the Yoruban world, it is clear thatRead More Wole Soyinkas Death and the Kings Horseman Essay1635 Words   |  7 Pagesplaced in terms of two extremes, and the cultures must be considered one of those pairs. 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Chopin as the poet of piano Essay Example For Students

Chopin as the poet of piano Essay Chopin was different with Mozart or Schubert as in they composed in a facile manner while he composed two concertos for piano and orchestra, piano sonatas, polonaises, nocturnes, à ©tudes, waltzes, mazurka, scherzos, ballades, rondos, impromptus, sets of variation, fantasia, recalled, bolero, tarantella, Polish songs for solo voice with piano accompaniment and preludes. Chopin earned the name The Poet of the Piano for his contribution of 80 opuses to the instrument piano. Frederic Chopin is one of the most romantic figure since he was dreamy and tender as a man. His character, of course, mirrors exactly in his compositions. In order to perform Chopping composition, one needs to appreciate his strange and wondrous loveliness. There are so many musician executing chopping works who gave up because they failed to deliver the sensitivity of Chopping music. As an example, his E minor Prelude got everything that amateur pianist needs to be good in their technique. Technique here does not mean a fast finger to play an accurate note with fast tempo but a technique to play a piece with a good tone quality and good phrasing. Its a short piece in enjoyable slow speed and has a superficially straightforward left-hand part, with a sad, singing melody line in the right. This tiny prelude is also a musical masterpiece of poetic expression and emotional intensification. Most of Chopping prelude are not difficult or big pieces in technical aspects but they are hard to play with sentimental as Chopping characteristic. Chopin never wrote a work of programmatic music in his life, a piece that tell a story or an image. Yet his music, has been heard to incarnate everything from revolution to raindrops. He opened up worlds of pianist color and texture without tradition of Classicism. Without him, virtuosity could never have started. And yes, he was a miniaturist, but Chopin also created forms and structures such as the ballade, the scherzo, the hybrid fantasies and that are models of innovative musical architecture. Another REASON why Chopin was named The Poet of the Piano is through his wonderful playing in the drawing rooms of the French aristocracy. The poetry of Chopping music was paramount which means a singing melody on the piano, unique rubout tempo and an agog accent rhythm. GAMBIA. List commented when he listened to Chopin works a sort of rolling of melody, decanting it like a smooth little skiff above a tempestuous flood, adding that it was impossible to grasp this rocking mode without frequently listening to the Master. Chopin did not like playing a languorous fortissimo but he attract people by an extremely colorful melodic line in music like how words flow in poems. There is one series of Chopping composition that make people admit that he is the real poet of the piano which is his nocturnes. Nocturne is the collection of miniature musical masterpiece. No better way to bring peace to your soul than close your eyes and listen while the notes wash over you. Chopin nocturnes are the most lyrical and poetic works that make most of listener dissolved with their beauty. There are teen one Nocturnes by Chopin that are all very poetic and have a freedom feeling inside, he player can play with rubout, slows down and speeds up the tempo to bring the emotion out of the piece. Rubout is very innovative at romantic period and it support a nocturnes dreamlike and shadowy sound. Most of the time, nocturnes are calm and thoughtful. However, nocturnes also have a short part of dramatic or passionate. Chopin nocturnes are a magical pieces and perfect examples of Chopping delicate and unique style of music but most of his works were short pieces but he could express a happy or sad, dramatic or dreamy tunes without restraint. Nocturne in C minor, Pop. 48, No. Was dedicated to Chopping favorite student, Laurel Duper. .ua8fd345e6e1a15d9df2fe94d509b37b6 , .ua8fd345e6e1a15d9df2fe94d509b37b6 .postImageUrl , .ua8fd345e6e1a15d9df2fe94d509b37b6 .centered-text-area { min-height: 80px; position: relative; } .ua8fd345e6e1a15d9df2fe94d509b37b6 , .ua8fd345e6e1a15d9df2fe94d509b37b6:hover , .ua8fd345e6e1a15d9df2fe94d509b37b6:visited , .ua8fd345e6e1a15d9df2fe94d509b37b6:active { border:0!important; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .clearfix:after { content: ""; display: table; clear: both; } .ua8fd345e6e1a15d9df2fe94d509b37b6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua8fd345e6e1a15d9df2fe94d509b37b6:active , .ua8fd345e6e1a15d9df2fe94d509b37b6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .centered-text-area { width: 100%; position: relative ; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua8fd345e6e1a15d9df2fe94d509b37b6:hover .ctaButton { background-color: #34495E!important; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua8fd345e6e1a15d9df2fe94d509b37b6 .ua8fd345e6e1a15d9df2fe94d509b37b6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua8fd345e6e1a15d9df2fe94d509b37b6:after { content: ""; display: block; clear: both; } READ: "Please Be Honest With Me Even If It Hurts Me EssayThe design and poetic contents of this nocturne make it the most important one that Chopin created. This nocturne is a tragic yet impressive masterpiece. It is one of the longest nocturne and one of the most dramatic. The first episode is Lento followed by Pico pi; lento with arpeggio and double octaves with accelerated towards the last passage with agitated. In this episode he constantly adding dynamic level to help the piece builds gradually to reach the climax of the piece in Dipso movement. He use the rhythmic intensity to show the high point which is the most lyrical and poetic in the piece. E. G. 1 E. G. 2 From the picture e. G. 1, Chopin wrote the theme with simplicity compare to the picture e. G. 2 which he wrote it with impressive figuration for both left and right hands where the quavers triplet become the basic pulse for the left hand accompaniment and it retains the subdivision into groups of four semiquavers notes The combination between the two contrasting rhythmic create a rhythmic tension and increase the compact and broad texture. If this nocturne were a drama, it can b depict in three scene since the nocturne itself is a A B A form. First scene should be introduce the main characters, second scene will be building action to lead it to a climax and the third scene will be concluding the act that continues climax, resolves conflicts and peaceful ending. This pop. 48 à ©tudes represents a beginning from the common dad capo form in Chopping nocturne style. Beside Nocturne, the poetry element also exists in Chopping Etude, venturous Etude is a known for technical exercise. Chopping etude is different from his predecessor, Czerny and Hanson. Everything that they wrote about this etude were fine except here are lacking in musical development since most of them are repetitions from patterns of the note. They have no natural musicality in it but Chopping à ©tudes are special that he was the first to create the etude into an actual art form. There are twenty-seven à ©tudes for piano that train different aspects. Each à ©tudes have their own focus and also their own musical story to tell. At first, this etude seems easy and simple but actually there is a beautiful but slightly gloomy melody with the slow chords as the accompaniment in both hands. In the middle section, there is a left hand semiquaver running notes that are not difficult at all after learning the angering that makes them substantially easier. This à ©tudes are nothing compared to the runs found in some of Chopping works but one must not forget that Chopin is nicknamed as the poet of the piano and this etude is actually much more difficult to play in terms of the musicality, not the technique. The first difficulty is that people always think that the melody is in the left hand only but it is actually in both hands. This etude is an exercise about a singing and delicate tone that a pianist must produce, not only the quality of each tone but also to master a phrasing for a satisfactory performance. This etude is not an etude to improve our technique but an etude to upgrade a pianist musicality and interpretation. Chopping music remains the most frequently played in history. Almost every note he wrote is in the permanent repertoire. When the first notes of Chopin works sound through the concert hall, there is a sign of recognition. All of Chopin music own the possible expression and are all sung by him upon the piano. Chopping works does not tell stories or paint pictures. It is personal and expressive but it is still a pure art. Chopin leave us a bequest of the most beautiful music ever written. Evelyn Handsprings

Marie de Frances Lanval free essay sample

Marie de France’s ‘Lanval’ (Abrams, 2006. p. 142-157) is a 12th century lais that tells the tale of a knight who is caught between two different worlds; that of his lover’s and his own. Forced to live between both worlds, Lanval finds himself stuck between a world of solitude and a world of love. Through the trials and tribulations that result from the circumstances that he finds himself in, Lanval is confronted with the challenge of keeping his love with the Queen of Avalon a secret. This essay aims to show that in order to become a better knight Lanval must confront the challenge that results from him being unable to keep his love with Queen Avalon sacred. Lanval’s oath to hide his relationship with his lover is his biggest challenge and ultimately proves to be the lais’s central dilemma and unravels a series of consequences which almost bring about his undoing. We will write a custom essay sample on Marie de Frances Lanval or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It is by facing up to the consequences of his actions that he is able to grow personally through learnt humility, develop an understanding of what’s most paramount and mature and become a better knight. In order to develop an understanding of why Lanval failed the challenge of keeping his love secret, we must first develop an understanding of Lanval’s physical and emotional isolation. In the beginning of the lais, Lanval is absent of two things women and land. He is described as a noble foreigner who resides far from his homeland, living by what appears to be the only profession he knows, being a knight (Ireland, 1977. p. 132). King Arthur rewards the service of all his other knights but inexplicably passes over giving Lanval neither women, land nor money. King Arthur’s behaviour is undoubtedly unfair inexplicable, given Lanval moved from a foreign land and has no ancestral rights to any land in the area so is left with nothing. According to Ireland in the ‘Narrative Unity of the Lanval of Marie de France’ such omissions by royalty are not uncommon in medieval literature (Ireland, 1977. p. 133). Further to this, he is not held in high regard by King Arthur’s other knights â€Å"Nor did his men like him at all. They envied his handsomeness, his courage, prowess and largesse. † (Abrams, 2006. . 143). Although loyal to King Arthur and his knights ,the lai reveals that Lanval is upset by the situation he finds himself in and generates a negative outlook, â€Å"Now Lanval is much preoccupied, gloomy seeing the darker side. when he comes from a foreign land and finds no help from any hand,† (Abrams, 2006. p. 143) which leads to him living a life of solitude and isolation. In contrast with the solitud e experienced in his own world of King Arthur’s court, Lanval is provided unconditional love and wealth by the Queen of Avalon. However, to further isolate Lanval from King Arthur’s court, Lanval is forced to separate both worlds because the Queen of Avalon, demands that their love remain sacred or he will lose her forever â€Å"I warn you and pray you and command: you must not tell anyone about the love that you have won. The consequence I shall declare: should people learn of this affair, you shall never see me again,† (Abrams, 2006. p. 145). Throughout the lais, Lanval faces the challenge of remaining loyal to his lover by keeping their love secret. In the end, it is Laval’s ego which stops him from remaining loyal to his lover and revealing their sacred love when King Arthur’s Queen accuses him of homosexuality. Finding it necessary to justify himself to the Queen, Lanval betrays the promise he made to his lover and puts his own pride ahead of his loyalty to his lover. This shows Lanval’s immaturity and how he puts his own selfish pride ahead of any loyalty to the Queen of Avalon or King Arthur. However, it is at this point of the lais that the reader begins to see a personal change in Lanval. Almost immediately he begins to grow personally through the experience by quickly developing self-awareness and regretting his biggest error and betrayal. This is noted by Patrick’s in ‘The Narrative Unity of Lanval’ who suggests that Lanval â€Å"reaches a kind of extra mortal awareness that his life and love lie in the other world,â€Å" (Ireland, 1977. p. 140). After Lanval’s secret love is revealed, it appears that the relationship between him and his lover has ended as â€Å"being well aware that he has spoiled the whole affair,† (Abrams, 2006. p. 149). During his trial, Lanval defends himself but it is his betrayal of his lover that is the biggest concern for the knight than the possibility of being sentenced to death or banished by a jury of his peers. This leads to Lanval’s submission to any decision the court determines; life or death matters little to Lanval if he cannot be reconciled with his lover. It is clear for the reader at this point that a major personal change has occurred in Lanval, the immature knight that the reader gets to know at the start of the poem is already evolving into a selfless knight. It is during his trial that Lanval is left â€Å"complaining and sighing† rying a hundred times for her (his lover) to have mercy (Abrams, 2006. p. 149). It is at this point that the reader can see that Lanval is developing humility brought about by his loss and that his love becomes the most important thing in Lanval’s world. It is by facing the consequences of his actions that we see Lanval continue t o grow personally and ultimately become a better person and knight. In conclusion it is evident; that it is only by failing the challenge of honouring the promise to his lover to keep their unspoken love secret that Lanval is able to eventually come to an understanding of what is most important to him. Throughout the lais the reader is able to follow Lanval’s development and see that it is not until Lanval develops a deep understanding of his mistake and what his pride may have cost him that he is able to develop humility and to become a better person and knight.